Add Kalsa examples to prose critic
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@ -30,7 +30,7 @@ database and does not grant canon status to any setting claim.
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- `memory-divine-uncertainty` — Gods are powerful, situated witnesses rather than authorial oracles. Divine confidence, memory, doctrine, and testimony remain evidence shaped by binding, rivalry, self-conception, and blind spots.
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- `memory-play-canon` — Persistent play creates receipts and canon candidates. Runtime outcomes become shared setting canon only when an owning canonical note explicitly adopts them.
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- `memory-independent-lore-review` — Every deepening pass uses seven independent lore critics before repair and after repair: institutional causality; culture and situated knowledge; material life and ecology; history, conflict, and change; Ghostlight play and consequence; AI-isms and prose; and reader experience and navigation. Critics diagnose, the coordinator adjudicates, subject notes own canon, and a no-finding report is valid.
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- `memory-ai-ism-judgment` — AI-shaped prose is diagnosed by recurring construction and reading effect, never detector scores, word bans, or authorship claims. The unit of failure may be the corpus: locally polished paragraphs become alienating when different cultures repeatedly pass through the same disclaimer, balanced dispute, institutional repair, and unresolved-invoice sequence. Kalsa's known pressure includes correction theatre, symmetrical wonder-then-cost ledgers, list-clause congestion, repeated frames, checksum conclusions, viewpoint choruses, workshop-dialect leakage, and generic smoothing. Repair the repeated argumentative architecture through source carrier, action, custody, omission, and uneven emphasis; functional lists, deliberate rhetoric, exact uncertainty, and precise technical terms remain protectable.
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- `memory-ai-ism-judgment` — AI-shaped prose is diagnosed by recurring construction and reading effect, never detector scores, word bans, or authorship claims. The unit of failure may be the corpus: locally polished paragraphs become alienating when different cultures repeatedly pass through the same disclaimer, balanced dispute, institutional repair, and unresolved-invoice sequence. Kalsa's known pressure includes correction theatre, symmetrical wonder-then-cost ledgers, list-clause congestion, repeated frames, checksum conclusions, viewpoint choruses, workshop-dialect leakage, and generic smoothing. Repair the repeated argumentative architecture through source carrier, action, custody, omission, and uneven emphasis; functional lists, deliberate rhetoric, exact uncertainty, and precise technical terms remain protectable. The version-controlled `AI-Isms and Prose` critic prompt carries an actual Kalsa before/after example and false-positive guidance for every named pressure.
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- `memory-public-entry-and-omission` — Public navigation should offer a concrete situated problem before optional surveys. An overview is allowed to omit traditions: shuffling every hidden family into a new order still reconstructs the author taxonomy. Let source-owned mechanisms, witnesses, and disagreements carry ethical limits instead of adding narrator-level correction ledgers and checksum conclusions.
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- `memory-situated-divine-evidence` — Public divine knowledge should follow the
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record and office responsible for each consequence: covenant origin,
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@ -41,6 +41,226 @@ Use after [[../shared-prompt]].
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> em-dash asides, and mechanically parallel sections make reader prose feel
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> like a completed form rather than a discovered world.
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>
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> ## Examples from Kalsa repairs
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>
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> These are comparison cases, not forbidden constructions or replacement
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> templates. A **before** passage is defective because of its function and
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> recurrence in the surrounding vault, not because its words are intrinsically
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> bad. An **after** passage demonstrates one successful repair; do not teach the
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> critic to reproduce its sentence shape everywhere. The full evidence trail is
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> versioned under [[../../deepening/passes/KALSA-038-public-prose-saturation|KALSA-038]].
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>
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> ### Correction theatre
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>
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> **Before:** the second sentence stages a rebuttal to an imagined reader after
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> the first sentence has already made the useful point.
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>
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> ```text
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> Discovery makes these claims visible. It does not erase them.
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> ```
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>
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> **After:** the door and the dormant claims carry the relation directly.
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>
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> ```text
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> Opening the door brings dormant claims back into use.
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> ```
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>
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> The same habit can expand into a whole managed-ambiguity sequence. In this
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> case every interpretation receives a countervoice, the appeal becomes a
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> neutral container, inspection receives one exact jurisdiction, and the final
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> sentence explains how wonder and engineering must relate.
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>
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> ```text
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> Rhythmic knocks sounded at the shrine of a dead valve keeper. Hearth witnesses
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> received them as warning and support. Their opponents blamed pipe stress or a
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> manufactured omen. The appeal kept both the report and the dispute.
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>
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> Material inspection upheld the steward's warning. The knocks had brought
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> attention to the shrine and the copied record; they had not answered the
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> technical question.
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> ```
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>
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> **After:** the knock changes what Hearth witnesses do; the inspection then
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> stands as a separate event. The prose leaves their relation open without
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> installing a skeptic or explaining the approved uncertainty.
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>
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> ```text
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> Rhythmic knocks sounded at the shrine of a dead valve keeper. Hearth witnesses
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> received them as warning and support, and carried the copied page into the
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> appeal under their sound.
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>
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> When inspectors opened the heatwork, its condition upheld the steward's
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> warning.
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> ```
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>
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> ### Viewpoint chorus
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>
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> **Before:** each office receives one evenly weighted ability and one approved
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> limit. The information is sound, but the paragraph reads like an authority
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> map translated into sentences.
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>
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> ```text
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> The covenant witnesses could still testify about entry and exit terms. They
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> could not assign the body, count the reserve, or turn a manifestation into the
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> dead anchor's final command. The stewards could keep a household alive without
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> deciding whether its inherited service was lawful. The mortuary witnesses
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> could preserve an accusation from the dead without giving it custody of the
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> stores.
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> ```
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>
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> **After:** witnesses act upon books, grain, body, and inventory. The same
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> authority boundary emerges from custody and consequence.
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>
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> ```text
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> Covenant witnesses continued hearing entry and exit terms. Stewards kept the
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> household minimum moving from the miracle ledger. The mortuary witnesses stayed
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> with the body and death inventory. An accusation copied from the dead anchor
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> therefore carried no order to open the stores.
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> ```
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>
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> ### Symmetrical wonder-then-cost ledger
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>
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> **Before:** the prose inventories every support category, states the wonder,
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> and immediately invoices failed seasons and exhaustion. Elsewhere the vault
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> used the same sequence for unrelated institutions.
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>
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> ```text
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> Field and shield records place a Papsenai claim beside the seed, water, hands,
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> stores, watches, and recovery that carried it. Practitioners describe a bond to
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> a reachable future. The people provisioning the work ask where the failed
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> season or exhaustion went.
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> ```
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>
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> **After:** material limits become a decision made before the working. The
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> reserve remains visible without a completeness list or narrator's ethical
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> receipt.
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>
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> ```text
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> Before a Papsenai field bond begins, the household names the seed and
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> subsistence it will withhold from the work. The shaman holds the remaining
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> labor and reserve toward a reachable harvest. Later field records keep the
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> decisions to continue, release, or abandon that future.
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> ```
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>
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> ### List-clause congestion
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>
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> **Before:** the route blurb tries to certify a complete appeal by naming four
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> evidence and conflict categories, then appends the moral remainder.
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>
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> ```text
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> The Closed Lift Appeal follows rival forecasts, a detained lift captain,
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> concealed sponsor plans, and a fatigued brake through a civic appeal whose
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> correction left material claims behind.
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> ```
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>
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> **After:** one concrete question and one consequential act give the reader
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> enough information to choose the route.
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>
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> ```text
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> Why did two sponsored forecasts omit what their sponsors planned to do with
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> them? The Closed Lift Appeal makes the houses answer before the grain moves.
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> ```
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>
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> ### Repeated sentence frames
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>
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> **Before:** four consecutive lives are exhibited through identical `A ...
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> may` sentences.
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>
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> ```text
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> A household may owe grain to a shrine because its god diverted a flood. A
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> clerk may compare three prophetic reports before scheduling a lift. A healer
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> may refuse divine aid near a hungry burial ground. A worker may know from the
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> sound of a pipe that the priest's inherited formula is being used in the wrong
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> season.
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> ```
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>
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> **After:** the same breadth moves through grain, place, crew, refusal, sound,
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> and family life with unequal sentence weights.
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>
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> ```text
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> Most people meet the impossible while trying to make tomorrow resemble today.
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> Grain pledged after a divine flood must still be planted and hauled. In a
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> Sunwall ward, a clerk compares three prophetic reports before a lift crew moves
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> the harvest. Elsewhere a healer turns divine aid away from a hungry burial
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> ground, or a pipe worker hears an inherited formula used in the wrong season.
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> Families form, bargain, worship, quarrel, and raise children through all of it.
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> ```
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>
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> ### Checksum conclusions
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>
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> An early Windtrap repair compressed a longer consequence list into a polished
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> setup and reversal:
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>
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> ```text
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> Their corrected record followed them. Their contracts did not.
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> ```
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>
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> Brevity did not solve the problem. The paired fragments made the author's
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> control more audible. The accepted revision carries standing, livelihood,
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> movement, and provenance in one uneven sequence:
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>
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> ```text
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> The adopted keeper received a corrected record and no liability before changing
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> family affiliation; the old contracts were never restored. Later copies have
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> lost every name, the place, and the date.
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> ```
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>
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> ### Workshop-dialect leakage
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>
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> **Before:** `legible` and `frame` summarize several cultures through the
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> workshop's language of model boundaries.
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>
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> ```text
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> Each practice makes some evidence legible and leaves other evidence outside
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> its frame.
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> ```
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>
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> **After:** a school-owned term leads to a specific inspection path and an
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> exact evidentiary requirement.
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>
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> ```text
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> Ju'onai schools call certain local causal scars aftermarks. An aftermark can
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> send an inspector back to a shifted brace, a cracked seal, or a sequence of
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> movements. Naming an actor or intention requires other evidence even in the
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> strictest school accounts.
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> ```
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>
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> The repaired passage still contains analytic language. It earns that language
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> through Ju'onai ownership and an act an inspector can perform.
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>
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> ### Generic smoothing
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>
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> **Before:** the route blurb reduces a peculiar shared structure to broad
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> themes—water, accusation, and repair—and ends in atmospheric fog.
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>
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> ```text
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> After the High Windtrap Broke follows water, accusation, and repair across
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> three Selza'a family territories after a shared work fails in the fog.
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> ```
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>
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> **After:** dependency and the corroded anchor give the source a material edge
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> without pretending to summarize its significance.
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>
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> ```text
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> Three Selza'a families depend on the same high windtrap. After the High
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> Windtrap Broke begins when its corroded anchor gives way.
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> ```
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>
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> ### False positives and edits to resist
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>
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> - `The table is not a table.` is deliberate antithesis spoken through the
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> ritual and physical arrangement of a particular scene. It is not narrator
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> correction theatre.
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> - `Death does not guarantee silence.` states a setting condition before names,
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> gestures, smoke, and burial grounds demonstrate it. It is not a moral
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> qualification attached to praise.
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> - The living-claims list in `Relics and Ruins` and the terms of a delving
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> compact are functional play inventories. Their elements answer different
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> questions at the table; compressing them would remove usable information.
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> - A term such as `record`, `claim`, or `bounded` remains welcome when a named
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> court, school, compact, or keeper owns it. Diffusion across unrelated
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> narrators is the defect.
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>
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> For every finding, quote or precisely locate the smallest relevant passage,
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> show whether it recurs elsewhere, explain the reading effect, and state what
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> work the passage still needs to perform. Recommend a repair direction such as
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