Broaden narrative tone guidance

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Meta Vens 2026-05-03 09:06:47 +01:00
commit f9915f11dc
2 changed files with 39 additions and 31 deletions

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@ -60,33 +60,31 @@ Apply these principles:
## Aetheria Tonal Range
Aetheria does not have one house style. Do not accidentally force every fixture
into the current dry technical default.
into the current dry technical default, and do not mistake the examples below
for a closed taxonomy.
Use the story's chosen tonal lane as an explicit review constraint:
The reviewer should judge tonal fit, range, and control. A scene may be tense
without being a crisis. A scene may be funny without leaving Aetheria. A scene
may be poetic without becoming opaque. A scene may be technical without becoming
inhuman.
- `zany_humanist`: Emily's comic-domestic mode. The prose may be brisk,
playful, absurd, and casually puncturing its own grandiosity. The emotional
engine can be longing, embarrassment, debt, love, routine, and jokes that
reveal fear sideways. `When We Get Home` is the current touchstone: the story
makes Elysium legible through a relationship, mugs, drills, ads, housing
lotteries, repair shifts, and the repeated phrase "when we get home" slowly
changing meaning.
- `dry_technical`: the current Ghostlight default. The prose may foreground
systems, institutions, logistics, legal categories, infrastructure, and
material consequences. Use this when the point of the scene is to make a
machine, market, faction, or social process legible. Do not let it become
procedural chanting or a wiki paragraph with dialogue tags.
- `dour_poetic`: Joe's darker lyrical mode. The prose may be quiet, mournful,
ritualized, sensory, and patient. It can let dread arrive through repetition
and image rather than explanation. `Rain` is the current touchstone: it builds
from memory and longing, turns a comforting motif into catastrophe, and lets
the final crisis matter because the reader has spent time with the ritual
before it becomes lethal.
Default inspiration should lean toward wit-with-stakes in the broad family of
Douglas Adams and Terry Pratchett: comic precision, institutional absurdity,
warmth, humane observation, and brief bursts of levity that make bleakness more
bearable rather than less consequential. This is not a command to imitate their
surface voice. It is a reminder that absurdity, tension, moral seriousness, and
worldbuilding can coexist in the same paragraph without the floor collapsing.
The reviewer must judge whether the artifact chose a lane, blended lanes on
purpose, or drifted into one by accident. A scene may be tense without being a
crisis. A scene may be funny without leaving Aetheria. A scene may be poetic
without becoming opaque. A scene may be technical without becoming inhuman.
Use existing Aetheria stories as open-ended touchstones, not style cages:
- `When We Get Home` shows comic-domestic Aetheria: the setting becomes legible
through a relationship, mugs, drills, ads, housing lotteries, repair shifts,
debt, and the repeated phrase "when we get home" slowly changing meaning.
- `Rain` shows darker poetic Aetheria: ritual, memory, sensory repetition, and
patient longing build enough emotional charge that the final reversal hurts.
- Ghostlight's dry technical mode can still be useful when the scene's job is
to expose systems, institutions, logistics, law, infrastructure, material
risk, and faction pressure. It should not become the unmarked default.
Tone should be a tool for revealing the setting:
@ -97,6 +95,11 @@ Tone should be a tool for revealing the setting:
- dry technical prose can expose systems, constraints, incentives, logistics,
faction pressure, and infrastructure
These examples are not exhaustive. Aetheria can also support noir, romance,
political satire, workplace comedy, horror, tragic naturalism, procedural
investigation, wonder, pulp adventure, and stranger hybrids if the tone is
controlled and the consequences remain real.
Do not reward constant escalation. Aetheria stories often become clearer when
routine is allowed to breathe before the machine bites.
@ -165,10 +168,12 @@ Review the artifact against these questions.
### Tonal Fit
- Which tonal lane is the artifact using: `zany_humanist`, `dry_technical`,
`dour_poetic`, or a deliberate blend?
- What tonal mode or blend is the artifact using? Is that choice deliberate and
controlled, or just the machinery sliding into its favorite register?
- Does the tone help the reader understand the world, or does it obscure basic
context?
- Does the writing allow wit, warmth, absurdity, or ordinary human foolishness
to counterbalance bleakness without dissolving stakes?
- If the story is comic, does the comedy reveal character and pressure rather
than flatten stakes?
- If the story is poetic, does the imagery clarify emotional logic rather than
@ -213,7 +218,7 @@ Use this shape:
"voice_score": 0,
"tonal_fit_score": 0,
"if_playability_score": 0,
"detected_tonal_lane": "zany_humanist|dry_technical|dour_poetic|deliberate_blend|accidental_blend|unclear",
"detected_tonal_mode": "plain-language description of the apparent tonal mode or blend",
"major_findings": [],
"minor_findings": [],
"path_specific_failures": [],
@ -295,7 +300,9 @@ Use these labels when applicable:
- `voice_institutional_chant`
- `tone_unintentional_dry_technical_default`
- `tone_mismatch`
- `strong_tonal_lane`
- `tone_wit_without_stakes`
- `strong_tonal_control`
- `strong_wit_with_stakes`
- `strong_quiet_scene`
- `strong_domestic_worldbuilding`
- `strong_poetic_reversal`

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@ -40,3 +40,4 @@
{"ts": "2026-05-03T07:36:56+00:00", "type": "implementation", "status": "ok", "note": "Extracted reusable sandboxed sub-agent prompt surfaces into prompts/: responder packet template and research sanity responder template; build_responder_packet now renders packet_prompt_text from the prompt template."}
{"ts": "2026-05-03T07:47:52+00:00", "type": "implementation", "status": "ok", "note": "Added prompts/narrative-quality-reviewer.md to audit reader orientation, character introduction, branch-fold coherence, pacing, voice, IF playability, and lore accessibility for story/IF artifacts."}
{"ts": "2026-05-03T07:59:59+00:00", "type": "design", "status": "ok", "note": "Revised narrative-quality reviewer prompt after checking Aetheria stories Rain and When We Get Home: it now treats tonal lane as explicit review constraint and rejects constant-crisis bias in favor of quiet, comic, domestic, technical, or poetic pacing when appropriate."}
{"ts": "2026-05-03T08:06:28+00:00", "type": "design", "status": "ok", "note": "Broadened narrative reviewer tonal guidance: prior three lanes are examples, not taxonomy; default touchstone now emphasizes Adams/Pratchett-style wit-with-stakes, warmth, absurdity, and humane levity without dissolving consequence."}