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Gate song swarm on self-iteration evidence

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Meta Vens 2026-06-01 05:48:03 +01:00
commit 8250afc39a
7 changed files with 348 additions and 17 deletions
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7
docs/music-production-knowledge/aqua-dsp-usage-manual.md
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@ -34,6 +34,7 @@ Composition sugar:
```aqua
meter bpm=128 beats=4
song_form name=club unit=bar sections=intro:0-4:.35,build:4-8:.85,drop:8-16:1,break:16-20:.5,build2:20-24:.85,final_drop:24-32:1 energy=0:.2,4:.55,8:1,16:.4,24:1,32:.2
sequence name=kick pattern=x...x...x...x... step=.125 high=.9 low=0
scale name=hook path=/seq/lead/freq root=220 scale=minor degrees=0,2,3,5,3,2 step=.25
chords name=pad root=220 scale=minor progression=0,5,3,4 voicing=0,2,4 paths=/chords/pad/root,/chords/pad/third,/chords/pad/fifth step=bar
@ -44,6 +45,12 @@ The sugar lowers into visible `param` and `curve` owners. Bind those paths from
voices with `gain=@/seq/kick`, `freq=@/seq/lead/freq`, or
`gain=@/mix/pad/gain`.
`song_form` owns section gates and whole-track energy. Use it when a patch needs
intro/build/drop/break/final-drop structure instead of hand-written bar gates.
Each section becomes a bindable path such as `/form/club/drop`, and the optional
energy contour becomes `/form/club/energy`. It does not replace lane-specific
mixing; it gives those lanes a real song-form spine to bind against.
Reusable production abstractions:
```aqua