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Gate song curriculum on producer evidence

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Meta Vens 2026-05-31 23:54:19 +01:00
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docs/audio-doctrine.md
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@ -366,6 +366,15 @@ banks through `layer`, `harmonics`, and `spectrum`. Simple oscillator blips
without one of these owners are chip-distress-risk contrast material, not a
strong lesson for the music generator.
Song-scene curriculum admission is producer apprenticeship, not syntax
attendance. A candidate that names `meter`, `sequence`, `kick`, `hat`, or
`texture` has not learned music until it leaves a producer brief, listening
journal, Aqua gap ledger, and compact studio lesson tying those choices to the
reference. Distillation should promote only rendered candidates with audible
form, target-specific roles, and low template/noise-percussion risk. Stock
four-lane loops and raw noise percussion belong in failure documents even when
they keep RMS and motion metrics nonzero.
Do not confuse high metric agreement with musical success. The game context,
the reference sound, and the user’s ear still outrank the spreadsheet. Annoying,
but civilization has survived worse.