Add AquaSynth live instrument daemon sessions
This commit is contained in:
parent
0edd3ee21a
commit
50ed85ae41
9 changed files with 595 additions and 18 deletions
|
|
@ -57,7 +57,7 @@ current_mechanism:
|
|||
|
||||
live_invariants:
|
||||
- AquaSynth owns its patch graph; external synths are references, not runtime dependencies.
|
||||
- AquaSynthDaemonService owns compile/render/stream execution for patch.compile, instrument.sample, and bounded instrument.stream automation. It delegates DSP to AquaSynth.Faust, writes compile/session/render/stream/operator .cc witnesses under the configured .aquasynth store, writes .f32/.wav sample artifacts, and emits CultMesh-compatible audio/control stream descriptors plus per-block packet receipts. AquaSynthCultNetDaemon owns the local CultNet command-observation boundary: typed command documents enter the CultNet database, the daemon serializes execution through AquaSynthDaemonService, and typed receipt/provider documents come back out. JSON-lines modes are only operator/xeno edges; they must not become second audio/session authorities.
|
||||
- AquaSynthDaemonService owns compile/render/stream/live-session execution for patch.compile, instrument.sample, bounded instrument.stream automation, instrument.open, instrument.control, and instrument.block. It delegates DSP to AquaSynth.Faust, writes compile/session/render/stream/live/operator .cc witnesses under the configured .aquasynth store, writes .f32/.wav sample artifacts, keeps native streaming patch instances for live sessions, and emits CultMesh-compatible audio/control stream descriptors plus per-block packet receipts. AquaSynthCultNetDaemon owns the local CultNet command-observation boundary: typed command documents enter the CultNet database, the daemon serializes execution through AquaSynthDaemonService, and typed receipt/provider documents come back out. JSON-lines modes are only operator/xeno edges; they must not become second audio/session authorities.
|
||||
- Patch scripts lower into explicit graph records before Faust emission.
|
||||
- Song-snippet parity is scene-audio pressure, not redistributed fixture data. The worker may derive local tempo/register/scale hints from private clips, but agents must express live rhythm and pitch motion through owned AquaSynth controls until native sequencing sugar has an explicit DSL/lowering owner.
|
||||
- Operator graphs own FM topology: operators, modulation edges, carriers, and feedback. Do not hide this authority inside Voice fields.
|
||||
|
|
|
|||
Loading…
Reference in a new issue